Sue Grafton caught
some flak recently for disparaging comments about the rise of
indie/self-published authors. She later
apologized, saying her comments were based upon her experiences from when
she first got into the business forty years ago, a time when self-publishing was
equated with vanity publishers, meaning charlatans who would drain your bank
account in exchange for doorstops and
paperweights (New York Times and USA Today bestselling self-published author,
Jaime McGuire, has
a great blog post about her experience with a con artist passing himself
off as a legitimate agent before she took matters into her own hands and
self-published). Not sure why Sue
Grafton is so behind the times – Joy Fielding, who came on the scene about the
same time as Sue Grafton, brought this article
into class
and said pursuing e-books as a means of getting your work out there had some
merit and was worth looking into.
Joy, you rock.
Publishing is curious in that,
it really is one of the few artistic industries where doing it yourself is
looked upon with the worst kind of derision.
Think about it. There are movie
theaters, film festivals, and cable channels that celebrate the indie movie
maker. The enterprising
singer-songwriters who start their own labels to record and distribute their music
are hailed for bucking the system.
But if you self-publish, you’re considered a lazy hack who couldn’t get published
the traditional way.
Publishing seems to be the
only industry where this type of entrepreneurial resourcefulness has been discouraged. The message has been don’t self-publish
because no self-respecting author does it and no good will come of it. It’s like telling a chef not to open his own
restaurant because chefs don’t open their own restaurants.
Maybe it’s partially because
writing is seen as a highly intellectual pursuit and one not everyone is adept
at. Writing is so subjective, though. For every critically acclaimed book/author who
can’t crack the New York Times Bestseller list, there are writers who get
savaged by the critics (and even readers) yet sell books like hotcakes (regardless
of which category you fall into, if we’re calling ourselves
writers, at the very least, we should all learn the basics of writing.)
I think ebooks are becoming
the publishing industry’s version of the indie film. A lot of authors who couldn’t get past the “gatekeepers”
are redefining publishing by presenting their fresh, fun and unique voices in a
new and exciting way. Even more
interesting, many of these authors find themselves in the position of entertaining
offers from the big publishing houses.
The publishing industry is
only going to keep evolving and pooh-poohing these changes is a waste of time. The best thing an aspiring writer can do is keep
trying, keep learning and above all, keep writing.
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