What keeps Stephen King writing every day? |
So, while I can’t count myself among his legions of
ardent readers, I will forever shout from the rooftops the need for anyone
aspiring to write a book, of any genre, to read “On Writing,” King’s
instructional book about the craft. The
book is sound, practical and entertaining.
King explores every facet of writing from grammar to dialogue to plot
and even every writer’s bugaboo, outlining (he doesn’t do it, dubbing himself a
“situational” writer instead) while using examples from his own books to
illustrate his points. It is, in a word,
brilliant.
Last week, King granted an interview to “Parade” magazine (read it here) to promote his new novel “Joyland,” wax philosophical about the TV show “Revenge” of all things and of course, share his thoughts on writing, reading and why he still churns out 1,500 words a day.
Below are some of the gems from the interview. Definitely click on the link above to read
the whole thing, but here are some of my favorite soundbites that all writers,
published or hoping to be published, can benefit from:
“You learn to write from reading.”
King talks about how he used to pay his three children to read to
him when they were younger, which was how they acquired the habit (coincidentally,
his two sons are successful novelists in their own right). He laments that kids today are too focused on
the Kardashians to take reading seriously and it worries him. In “On Writing,” he talks about how his own
nose is always stuck in a book and if “you don’t have time to read, you don’t
have the time (or tools) to write.”
Last
summer during my writing class with Joy Fielding, one of the first things
she said to us after reading our submissions was, “I had to wonder how many of
you had ever even looked at or read a book in your lives.”
Indeed.
Voracious reading expands your vocabulary, generates new
ideas, teaches us what not to do and provides
inspiration. Every
writer out there has some other writer they wish they could write like (put
Anita Shreve at the top of my list). If
you never read, how do you know what
you want to write?
“Spell-check won’t [help] you if you don’t know through from threw.”
Preach it,
Brother King.
This is also
a prime example of why trying to proof your own work is a bad idea and one that
should be thrown out the window before it has a chance to take up residence in
your house. I hear stories all the time
about indie authors who get dinged for just this sort of thing, with the inevitable
refrain from readers wondering why nobody proofed the book. There may be times when your proofreader might miss something (it
happens). However, if you can’t even
define what it is they missed, then you’re screwed.
It’s why
music teachers make singers learn scales and why Mr. Miyagi had Daniel-son
waxing on and waxing off. Without the
fundamentals, you can’t expect to become a master.
“The major job is…to entertain people”
King says what drives him to write his 1,500 words/five
pages a day is the need to keep his work fresh, because otherwise, “the color
will go out of it,” and that all creative types should remember we’re here to “sell
fun.” Preachy, condescending writing
that’s overwrought with messages is a turnoff.
There is a way to weave education into the narrative (witness how John
Jakes does this with his historical fiction or how John Grisham incorporates
the law into his legal thrillers) without making the reader feel like they’re
sitting in a stuffy classroom on a hot day.
Keep it colorful, keep it fresh, keep it entertaining.
“There’s no soft landing with Tabby, and that’s fine.”
“Tabby,” would be King’s wife, Tabatha, and his brutally
honest, “IR” or Initial Reader.” When
critiquing his work, she doesn’t sugar coat it and tell him what he wants to
hear; she tells him what he needs to
hear in order to make his work better. We all need a “Tabby” to tell us what’s
working and what isn’t. I use my sister,
Kathryn, renowned in our family for her biting commentary on
well… everything (think Alex on “Modern Family”). I don’t always want to hear what she has to
say, but I need to hear it and it helps.
Don’t look for fawners…look for Tabbies.
“I just [see] myself as a novelist.”
Above all, King sees himself as a writer. He tells his stories the way he wants to tell
them and doesn’t worry about genres or commercial viability (though I’m sure he
wrestles with self-doubt like we all do).
He simply…writes. Every day. Without fail.
And so should we all.
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