Back
in the way back day, I was the lone PR person working for an advertising agency
and as such, I became the de facto proofreader for every proposal, report and
piece of ad copy that came out of the agency (well that and because of my
perfectionist Virgo tendencies, which will be the death of me one day). It was really easy for me to point out the
flaws of what someone else wrote, but doing it for myself? Forget it.
I would always miss something.
Always.
Now
that I’ve joined the ranks of Indie authors, having my manuscripts
professionally proofread is right up there with having an actual graphic
designer create my eBook covers (thank
you, Torrie Cooney!). It’s an
essential component to the overall presentation of my book. I’m always perplexed by the debate that
continues to rage on in the world of Indies about whether or not to have a
professional edit/proofread their work.
Granted,
trying to figure out the distinction between an editor and a proofreader can be
a little confusing, so here’s a little breakdown of the differences:
A proofreader checks your work for
typos, spelling, punctuation and spacing issues.
A content editor reviews manuscript
inconsistencies in style, theme, character behavior/speech and overall
readability.
A line editor (sometimes called a copy editor) is similar to a
proofreader (in fact, the two are sometimes interchangeable). A line editor will go over each line for
clarity to make sure your work really sings.
At
the very least, engaging with a proofreader should be high on your
pre-publication checklist (your beta readers can give you guidance with the
content editing).
Some
Indies decide to proofread their own manuscripts, arguing that 1) they can do a
better job than any professional because they know their work best 2) they can’t
afford to retain a professional proofreader and 3) traditionally published
books sometimes have typos.
While
it’s true authors know their work better than anyone, that’s exactly the reason
why proofreading it yourself is a bad idea.
You look at the words so often that you start to see what you think is
there or what you meant to be there, not what is actually there. And that
inevitably leads to missed typos, missed misspellings and missed punctuation,
among other issues. No one is immune and
it doesn’t make you somehow less of an author/writer because you missed a typo
or spell check didn’t know the difference between “through” and “threw” (as Stephen
King reminds us, as writers… we need to make sure we know the difference. And
if your proofreader doesn’t know… find a new proofreader! Just don’t let it convince you that you don’t
need one – it just means it’s not the proofreader for you J).
Another
common refrain is not being able to afford it. My philosophy is “find the money.” Put aside a little bit of money at a time while
you’re writing your book so when it comes time to engage with a
proofreader, you’ve already got a fund established. Get creative.
Are you a professional chef? Offer
to cook a private dinner for four in exchange for proofreading services. An IT whiz?
Exchange computer services for proofreading services. Don’t have a skill to trade? Propose a
payment plan. There are a lot of different ways to make it work. Truly, a professional proofreader is the best
and biggest investment you can make in your book.
I
recently read a traditionally published book that had three typos; two bonafide
typos and one that just skated on this side of being a typo. Surprising?
A little. Reason to adamantly
refuse having my own book proofread because I once in a while see a typo in a
traditionally published book, which somehow makes it okay to skip the process
entirely? No way. It’s a ridiculous justification and really,
we’re all better than that. I’ve seen
reviews from readers where they counted up typos in books that numbered in the
three digits. I can forgive a book with
a minor typo here and there; but a book riddled with them? Can’t and won’t do it. And why should we think it’s okay to ask our
readers to (literally) pay for our mistakes?
So
how do you find a proofreader anyway? Here
are just a few ways to do it:
1)
Look
in the acknowledgement pages of other authors books for the names of their
proofreaders
2)
Try
the Yellow Pages
at Kboards.com (formerly Kindleboards)
3)
Good
old Google
4)
Reach
out to a former English professor/teacher to if they might be able to recommend
someone or if they themselves might be interested in proofreading your
manuscript
5)
Talk
to your fellow writers and find out who they use
You
can ask for a sample edit to get a feel for a proofreader’s work. Don’t be afraid to ask for references and don’t
be afraid to do a bit of comparison shopping to find the best fit for you.
Please
forgive any typos you see in this post – I proofread it myself. J
Thank you very much for your site http://royalediting.com/rewriting-editing-and-proofreading-main-distinction and for the advices you provided all people with. It was very nice from your site. I like your thoughts. Thank you for it.
ReplyDeleteThanks for stopping by, Endy. Glad you found the information useful.
DeleteYes, I need a proofreader! I have many stories on how proofreading editing services saved my work, wallet, career and myself.
ReplyDelete